In order to have Moz looking like the one in the main film, we used the puppet of Moz to get a reference for the colour of the fur and the skin, this helped a lot during the process of lighting and compositing.
Combining the live action product shoot with the photoreal rendering of Moz was a great extension of the main TV spot and a fantastic way for Moz to reach a greater audience.’
Mill Colourist Oisin O'Driscoll completed the grade.